When something as exciting as this spring weather happens there is always the question: try to photograph it or just revel in it? There is no doubt that one detracts from the other. Either you see through a camera or with all your senses, and mind, and soul.

I’ve been taking pictures with my miraculous new camera, a tiny Cybershot that adjusts itself to any range – even a close-up at two inches – without pressing buttons. (It doesn’t really understand light, but you learn not to give it tricky problems). I’ll be glad to have the photos, automatically dated, as reminders of what was out with what – which is almost everything with everything. Magnolias have overtaken peaches, mid-season Japanese cherries are flowering with the autumn one. Tulips are sharp-elbowing the ‘February’ daffodils.

I only really see the garden, though, when I put my camera in my pocket and stop to contemplate. Scents tie up with flowers when you open all your senses. The chorus of birds reveals its soloists. You see the spent flowers, and the fallen petals, and the buds waiting to open, and the furry bracts shoved aside by the swelling fleshy cup of a magnolia.

The amelanchiers are passing that peak of open starry flowers jumbled in pinky-brown new leaves that only started two days ago. The pear trees are as white as the double-flowered cherries: what a crop we’re going to have this autumn. By my window scarlet ‘Japonica’ and wall flowers and orange tulips are burning away. Spurges are their thrilling yellow-green. Primroses and cowslips are all at it.

Yellow daffodils are the only flowers that refuse to fit in. Next year will I have the willpower to suppress them? With all this white and pink and a hundred shades of green the bulbs that really add are blue ones. Little grape hyacinths are nearly over, but camassias…… that’s what I’ll plant more of.

The blackthorns have never put up a braver show. They line the edges of the field and woods with frothing white blossom in heaps haystack high. What happened to its own winter? It missed the cold weather, delayed its flowering and connected with the same premature summer weather as the Iceland Volcano. It is an easy period of calm: the silent skies are blue from horizon to horizon. The garden is rushing as though it had missed its alarm clock and has a train to catch. Spring always unfolds too quickly to enjoy all the details, but this month is inducing panic.

Characteristically the weather forecast, morning after morning, proclaims anothernice day, temperatures struggling a bit perhaps, a touch of frost at dawn, but fine and dry. There is no one at Barometer House capable of making the connection between fine weather and cancelled flights. Like passengers in the 18th century, waiting at Dover for a westerly to fill the sails of the Channel Packet, we urgently need the Atlantic to reassert itself over the Continent, give us a gale and blow away the stubborn high pressure north east of us – and the ash with it.

Most springs we have the same; a couple of weeks, sometimes three, of a cutting east wind, no rain, and a general feeling that we’re ready to move on. We can’t this week; certainly not by air, until Zephyrus stirs his stumps.

But the Met Office thinks we’re only interested in the banality of sunshine.

You might think, if you followed my recent entries, that I was seldom at home. The truth is different; the trouble (my trouble, that is) is that home these last four months has meant desk and screen. I have been in the throes of composition. My books, down an awful lot of years, have been long, intricate, densely composed of text, pictures and captions. I promised Mrs Trad I wouldn’t go there again, not in this intensity. And yet here I am. It was tolerable (actually, very satisfying) while winter dragged on. Everything changed as the deadline came alarmingly close and spring suddenly tooted its horn.

April is when the conservatory goes wild. So many plants have been ticking over; some still dragging out last year’s achievements, most launching a whole new programme of growth and flowering. The list this morning is an intoxicating mixture of debuts and encores and long-running lists.

Oranges and lemons have the longest runs, fruiting and flowering together all through the cold weather – or do they? What about these salvias that slowed down but never gave up all winter? The dusky red brown ‘van Houttei’ has been going since mid summer last year; so has my old blue friend S. guaranitica. The extraordinary Pelargonium ‘Apple Blossom’ should be relabelled arborescens: it has reached eight feet by the door, flowering non-stop.

Camellias, of course, are at full blast. The soft purple of the Australian mint bush is a cloud behind the tiny oranges. Orange clivias are opening their trumpets like fledglings in green nests. Jasmine is crowding into the roof light and making the air almost too thick to breathe. My ancient potted rose ‘Maréchal Niel’ hangs its tired-looking (are they overweight?) flowers from the wall, and I am excited to see the wide pink blooms of ‘La Follette’ come out among its new red-stained leaves.

‘La Follette’ is the first rose out on the Côte d’Azur, scrambling through silver olive trees as though a great couturier had just ordained pink and silver for the season. (The designer was Lord Brougham’s gardener at Cannes). And the show-stoppers, the full-dress pelargoniums, are breaking open their heavy buds among leaves that proclaim much more vigour to come.

A correspondent in Japan reassures me about my apple trees. ‘Is the moss hurting them?’ was the question.

She says ‘No prunus mume or actually no tree of the Rosaceae family should be without moss and lichen here in Japan. ‘Moss’ is even in our national anthem to represent life and eternity. In Ikebana arrangements, especially for New Year’s or other felicitous occasions, we even paste on bits of Parmelia tinctorum to give branches an aged look, to represent all that is old and wise and venerable still able to bring forth fragrant flower and sweet fruit, even in very cold weather. (Take that, young saplings). As you write, I do know that non-Japanese will look upon such branches as ‘mouldy’, unfortunately.’

But then we try to grow moss-free lawns under our apples, not an idea you will often meet in Japan.

Castelgandolfo

Three days of visiting gardens around Rome with the International Dendrology Society (or a harmonious subset of it) was not quite the fast-forward spring we had expected. It had been cold and wet for weeks and just brightened up for our visit. If our English spring arrived four weeks late the Roman one was certainly no more punctual. You might be surprised how many Japanese cherries grow in and around Rome, though, and how well they blossom. Above all, to one who usually visits later in the year, the shock impression was of green. The Campagna looked like Ireland. And there are so many elms.

I had almost forgotten how the elm does something no other tree does: it flowers and fruits before it produces leaves. The unripe fruit appears as little pale green discs that make it the greenest tree of all when the forest is just thickening to fawn and tan and purple with catkins. Rome is full of elms, a green counterpoint to the black banners of what should be called the Roman pine – the huge umbrellas that shade streets and squares and crowd the sky of the Borghese Gardens.

Ninfa was our first out-of-town call. ‘The most romantic garden in the world’ seems to have stuck to it as a subtitle. I wouldn’t argue. Our party was small enough for it to be easy to hang back and be alone by the river (subtitle: ‘the most beautiful river ……’) It is mesmerizing to watch the long green weed that undulates below the speeding ripples and the long trout that hang motionless below the bridges. Magnolia and cherry blossom were almost the only flowers. Oranges and huge grapefruit lit the deep green of the orchard like lamps.

Ninfa is by no means the only great garden concealed on an ancient estate within a few miles of Rome, nor the only one sheltering in massive ruins. Pines and cypresses, white-trunked planes and magnolias are the common theme. In a month or so it will be roses.
The Pope, we were told, only goes to Castelgandolfo, his summer residence, in July. It stands on a ridge between the Tyrrhenian Sea and Lake Albano in its volcanic crater, where breezes keep the dense shade under its evergreen oaks perpetually cool. The immense terrace looking towards the sea is to topiary what St Peter’s is to altars. Most memorable of all, though, is the half-submerged cloister, seventy feet high and 120 yards long, built for Diocletian’s after-lunch exercise (in his day it stretched 300 yards). There are as many ghosts as people in Rome.

How did spring get so mixed up this year? Or is it just that we have become used to more benign winters and steadier openings to the growing season?

I am not at all sure what to expect when I go out these days. How far have we got? Winter ended with the best blackthorn season I’ve ever seen – hedgerows snowy for three weeks – under a genial sun, while all the bulbs flowered at once and spring-flowering plants seemed to be playing leapfrog with their schedules. Cherries were late and magnolias early; I wouldn’t have been surprised if I had come round a corner and seen a dogwood in flower. So what can the weather record say in explanation? I have the book from the greenhouse in front of me.

January: 46 millimetres (approximately: you can ‘t really measure the rain in snow, as it were). 14 days of snow from the 4th to the 18th. 10 days with no precipitation at all scattered through the month. Highest temperature 43°F (6°C) on the 16th, lowest 26°F (-3°C) on the 7th.

February: 82 millimetres of rain, with only four days completely without, Maximum 48° (9°C) on the 5th, minimum 28° (-2°C) on the 15th. The January/February total of 128 millimetres or 5 inches is about a quarter of our annual total rainfall. But if not in winter, when should it fall?

March: 38 millimetres with 17 dry days. Maximum temperature 59°F (15°C) on the 18th, minimum 26°F (-3°C) on the 7th. A dry cold month with moderate sunshine, neither urging on nor holding back.

April: Only 10 millimetres, and 24 days with no rain: a very dry month with long sunny periods, reaching 68° (20°C) on the 28th with a minimum temperature of 36° (2°C) on the 21st.

May, to date: The only rainfall, 9 millimetres, on the 1st of the month. No extraordinary temperatures; no frosts until the middle of the month when there was enough new growth to hurt (as the ashes have been).

Now we have the full panoply of spring, early and late at the same time, in a sea of Queen Anne’s lace. Confusing, but brilliant. Snow in January, rain in February, drought in March are hardly unlooked for. Drought and sunshine in April were the surprise.

A weekend in North Wales (let’s say Merioneth, for the poetry) to see how the winter has treated the woods. Kindly, is the answer. The grass on the hills is still sere, snow hangs in the high gullies and dusts Cader Idris again in the night. The larches, pines and spruces stand impassive, a few leaning, a few prone, but no mass casualties in a winter with no strong gales. It is catkins that provide the excitement, close up where the hazels are clouds of yellow down-strokes and here and there pussy willows flash like shards of mirror, and in the distance where they begin to paint the hills.

The brilliant colours of massed twigs always surprise me: the oaks pale buff, the birches purple, ashes the colour of bone and hazels en masse, as their catkins ripen, bright orange. Spruces are dull green with silver flashes if the wind shows you their petticoats. European larches are pale custard colour, Japanese larches pinky-orange. In forest land the colours are laid on in random brush strokes. The silver slash of a waterfall (there is very little water after a long dry spell) hangs from a hill top.

The ponds and puddles are fecund with frogspawn and loud with froggy noises, sharp croaks above a long soft purr like a contented cat – the sound of spring warming its engine.

Home to a quite different scene from the one we left. What unit of energy do you use for a spring garden getting going? Kilojoules? Megatonnes? The energy driving the buds on every bush and tree, driving the crocuses and daffodils and fritillaries, driving every blade of grass (not to mention every weed and bramble) is immeasurable. If knotweed can split concrete, the concerted force of this garden could reach the moon.

The other day I caught myself putting on a tie to go out in the garden, and realised I was doing it simply for warmth. Things had come to a pretty pass …

Then I reflected, not for the first time, on how much hardier women are than men. A bare throat, at least, is de rigueur. Long stretches of leg are routine, clad in, at most, thin tights. A year or two ago the fashion was a bare midriff in all weathers.

True, there are builders who expose their lower backs to the cold, but men in general have the sense to put a bit of fabric between themselves and the elements. You warm up, of course, once you start gardening in earnest. Shedding layers, though, is quite different from venturing out to admire the indifference of buds to the East wind. ‘Overcoat plants’ (who coined the expression?) is all too applicable at the moment.

Crocus tommasinianus offers the only colour with any warmth (snowdrops have no calories) and this morning I discovered the crocuses are being neatly mown by unseen mouths by night. The flowers go, leaving just the white stalks; no sign of the petals and the no-doubt-sweet working parts. Rabbits? Voles? The moorhens would surely leave a mess.

It happened last year (a month earlier), and I said I would try watering them with a repellent product called Grazers and report back. This is the report back.